Six years after making waves with his first photography book, Pascal van Loenhout makes a triumphant return with his second monograph, UN/CUT (Stockmans, 50€). This volume, spanning 185 pages, is a testament to van Loenhout’s innovative spirit and artistic evolution. The Antwerp-based hair designer, known for pushing the boundaries of conventional hairstyling, has meticulously crafted a collection that features bobs, bangs, and blunt cuts in their most liberated forms.
The book is brought to life through the lens of photographer Charlie De Keersmaecker and the design expertise of Paul Boudens. Their collaboration results in a visually striking compilation that captures the essence of van Loenhout’s vision. The pages of UN/CUT are filled with images that not only showcase the technical prowess of van Loenhout’s hairstyling but also evoke a sense of raw, unfiltered beauty.
Van Loenhout’s approach to this project is deeply personal. Drawing from his own experiences as a misfit youth, he seeks to challenge traditional notions of beauty and style. This is evident in his choice of models and poses. Rather than opting for polished, conventional beauty, van Loenhout selected unconventional faces and placed them in off-guard, candid poses. This instinctive decision directs the viewer’s attention to what he describes as “unhairdressy” looks—styles that break free from the constraints of typical hairdressing norms.
The hairstyles featured in UN/CUT are moody and evocative, reflecting a sense of rebellion and individuality. Van Loenhout’s bobs, bangs, and blunt cuts are not just hairstyles but statements. They convey a narrative of self-expression and defiance, resonating with anyone who has ever felt like an outsider. The book is not merely a showcase of hair designs; it is a celebration of nonconformity and the beauty found in imperfection.
Photographer Charlie De Keersmaecker’s work complements van Loenhout’s vision perfectly. His ability to capture the raw emotion and unguarded moments of the models adds depth and authenticity to the book. Each photograph is a piece of art, meticulously composed to highlight the intricate details of the hairstyles while maintaining an overall sense of spontaneity and realism.
Paul Boudens’ design further enhances the impact of the book. His layout choices and graphic design elements create a cohesive narrative that guides the viewer through van Loenhout’s artistic journey. The combination of striking visuals and thoughtful design makes UN/CUT a compelling read for anyone interested in the intersection of fashion, art, and personal expression.
In conclusion, UN/CUT is more than just a monograph; it is a manifesto of Pascal van Loenhout’s artistic philosophy. It challenges the conventional standards of beauty and celebrates the unique, the unconventional, and the rebellious. Through this book, van Loenhout invites the audience to see hairstyling as an art form that transcends traditional boundaries and embraces the freedom of self-expression. Whether you are a fan of fashion, photography, or art, UN/CUT offers a fresh perspective and an inspiring journey into the world of avant-garde hairstyling.