As is typical for Thom Browne, his fall collection was presented with a unique and whimsical mise en scène. This time, it featured men in gray pajamas crawling into camping beds at the end of the show, set against a barren, snow-covered landscape. Other men in white skirt suits and carrying bags tucked them into bed, wearing trompe l’oeil gray suits, which heightened the surreal atmosphere. Despite this theatrical setting, the exquisite collection demonstrated that the designer, after a period of deconstruction, had moved into a more straightforward phase. It was one of his most practical and subdued collections to date, with the only notable eccentricity being the Heidi braids, emerging from under beanie hats, tied with ribbons at the ends.
As a tribute to winter attire and comfort, Browne crafted much of his signature fitted tailoring in knits or quilted fabrics. Accessories included hand warmers and survival-like shiny leg warmers, though the leather ankle boots were the main feature that gave the outfits a contemporary edge. This showcased the exceptional skill of a designer who excels when he predominantly draws inspiration from the present era.